2/27/2024 0 Comments Sub rosa movieHer work has touched on surveillance, invisibility, conservatism, fascism, but is always underpinned by the fragility of culture. A startling ascendant self-taught artist, she had her first solo exhibition at Museu de Arte Moderna in Rio de Janeiro in 2021 and has also participated in group shows at Théâtre de L’Usine, Geneva, the Royal Academy of Arts, London, and SNAP, Shanghai, and São Paulo’s Paço das Artes. Tethered to an ancestry that actively faces erasure, she seems to be thinking relentlessly on what was lost, what remains, and what could be, which is yet undetermined. In addition to her installation, she has new ceramics and watercolors in the Kabinett section of the fair, in a booth hosted by the Brazilian gallery A Gentil Carioca.īorn in Goiânia and based in Rio de Janeiro, Rosa makes sculptures, photographs, and videos informed, in part, by the experience of life as an Indigenous person in urban environments. Rosa’s work is serene and solemn, like a ritual site it isn’t likely to be lost in the crowd. At any art fair-especially one of such magnitude-attention spans generally run shorter. The intimate Topography of Memory rewards slow looking the star-studded bazaar is a perpetual machine of motion and money. It will be on view in tandem with Art Basel Miami Beach, which buzzes nearby as a sort of counter-experience. Courtesy the artist and Audemars Piguet Contemporary The installation mirrors an underground environment, bathed in earth-toned lights, where visitors will encounter interactions between the stories engraved in the ceramic objects and the memories embedded in each grain of soil within the installation.”Īn installation view of Topography of Memory. “Each of the sculptures is a unique expression of Rosa’s memories. “In Topography of Memory, Rosa builds upon the notion of ‘memory programming’ introduced in her previous work,” de Paula Souza said. Following its run in Miami, it will be presented next year at the Pinacoteca de São Paulo (March 16 to July 28), also marking the first time Audemars Piguet Contemporary’s first commission in Brazil.įrom the communal forging, to the materials and their firing in a kiln built underground, each step of the process was part of long artistic tradition. One Year On From the NFT Crash, the Digital Art Scene at Miami Art Week MaturesĬommissioned by Audemars Piguet Contemporary and guest-curated by Thiago de Paula Souza, Topography of Memory marks Rosa’s first solo exhibition in the United States and her largest ceramic project to date.
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